Digital terrestrial television, national licensees

With the recent tenders, digital terrestrial television licensees are given by Supreme Council of Radio & Television in Turkey. Infect the results of the tender is some how surprising; total revenue of Supreme Council is 820.850.000 TL, which is appr. 350.000.000 €. When we think of regional and local licensees, total amount will be nearly 1.000.000.000 TL

What is the reason of this huge amount of money? Why do broadcasters agree to pay this amount for a license with which just 10 % is watching TV? What is the business plan behind this scene? These are questions in my mind. If I figure out some answers, you can be sure that I will share with you. If you have any answers, please do not hesitate to share with me, and other readers. I will appreciate your support.

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May HD Radio be an alternative for Turkey?

There are mainly three worldwide digital radio technologies: DAB/DAB+, DRM30/DRM+ and HD Radio™ . According to some sector professional Turkey should not even think of HD Radio™ as an alternative for the digitization of radio. I have some doubts on that. Lets have a closer look at HD Radio™ : Who is behind the HD Radio™ ? IBiquity Digital is the firm that developed the HD Radio™ technology. Some argues that as it is a firm, not a consortium, so broadcasters should avoid choosing HD Radio™ as the digital radio technology. It sounds a little bit ambiguous. Why should broadcasters avoid using it? Do they avoid using Windows, for their PCs? Well, it is the same actually. Microsoft is a firm, that has a product, and broadcasters, like many others are using it. So, Ibiquity Digital is a firm like Microsoft. They have an approach to digital radio, with using FM band, they can digitize the r...

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Disguise and Cuebric Launch AI-Driven Content Generator for Virtual Production

Disguise — a world leader in virtual production technology used for Top Gun: Maverick , The Joker and more — has partnered with AI platform Cuebric to make virtual environments faster, easier and more cost-effective to build than ever before. As part of the partnership, Cuebric has been integrated with the Disguise platform. This means creatives can now use AI to create the shape and depth of 2.5D environments, then import them into Disguise. The result is a plug-and-play scene that can be executed on an LED stage in only two minutes. This allows anyone to tell immersive stories, no matter the production environment or virtual art capabilities they have, saving weeks of pre-production work. “Real-time environments look spectacular on-camera, yet often require many hours of artistic and technical build,” said Addy Ghani, VP of Virtual Production at Disguise. “Thanks to our partnership with Cuebric, there’s now another option. Using generative AI,...

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e-interview with Cuebric

1. For the readers of TVTechTR, I kindly request a brief introduction to Cuebric. Cuebric is an elegant, intuitive tool that helps users create, segment, and dimensionalize scenes, allowing them to go From Concept to CameraTM in minutes. Through the power of artificial intelligence, Cuebric creates an entirely new way of working, one that transcends what was once possible, allowing storytellers to achieve new levels of productivity while maintaining cinematic quality. Cuebric has been welcomed and used by creators from all backgrounds, including filmmakers at prominent studios and leading VFX companies. More information online at www.cuebric.com 2. Could you please elaborate on the innovations that the collaboration between Cuebric and Disguise will bring to the industry? Additionally, is it possible to integrate Cuebric with native game engines? Plug & Play 3D uses advanced algorithms and machine learning techniques to turn image layers into near-3D assets, automatically mapped to...

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