Digital terrestrial television, national licensees

With the recent tenders, digital terrestrial television licensees are given by Supreme Council of Radio & Television in Turkey. Infect the results of the tender is some how surprising; total revenue of Supreme Council is 820.850.000 TL, which is appr. 350.000.000 €. When we think of regional and local licensees, total amount will be nearly 1.000.000.000 TL

What is the reason of this huge amount of money? Why do broadcasters agree to pay this amount for a license with which just 10 % is watching TV? What is the business plan behind this scene? These are questions in my mind. If I figure out some answers, you can be sure that I will share with you. If you have any answers, please do not hesitate to share with me, and other readers. I will appreciate your support.

Comments

Shall we not build DTT, after WRC 2015

According to the news in the web site of EBU, 470 - 694 MHz will be reserved for DTT & radio microphones not only till WRC 2019, but also till WRC 2023. At the WRC 2023, 470 - 960 MHz band will be reconsidered. It is good news for the DTT business in Europe. But is it a good news for Turkey? As you may well know, Turkey has not yet spend any money on DTT. There is no DTT network, nor a finished frequency allocation tender. Hence, we can say that there is nothing, just NOTHING regarding DTT. So, in best circumstances, the tender for DTT frequencies can be finished by 2016 & the network would be ready by 2017. Well, the picture becomes interesting from that point. The frequency allocation would be for 10 years, which covers 2016-2026. But, during the WRC 2023, the frequency usage will be reconsidered again. It may be more meaningful to think not to build DTT at all, and start thinking to work on xG mobile networks. I would appreciate for your comment...

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Disguise and Cuebric Launch AI-Driven Content Generator for Virtual Production

Disguise — a world leader in virtual production technology used for Top Gun: Maverick , The Joker and more — has partnered with AI platform Cuebric to make virtual environments faster, easier and more cost-effective to build than ever before. As part of the partnership, Cuebric has been integrated with the Disguise platform. This means creatives can now use AI to create the shape and depth of 2.5D environments, then import them into Disguise. The result is a plug-and-play scene that can be executed on an LED stage in only two minutes. This allows anyone to tell immersive stories, no matter the production environment or virtual art capabilities they have, saving weeks of pre-production work. “Real-time environments look spectacular on-camera, yet often require many hours of artistic and technical build,” said Addy Ghani, VP of Virtual Production at Disguise. “Thanks to our partnership with Cuebric, there’s now another option. Using generative AI,...

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3SS and Dolby Team Up to Enable Carmakers to Differentiate with Immersive In-Car Entertainment

3 Screen Solutions (3SS) , leading provider of software solutions for set-top boxes (STB), smart TV, multiscreen and in-vehicle entertainment, announces its collaboration with Dolby Laboratories , a leader in immersive entertainment experiences, to enable Dolby Atmos ® for video entertainment services in cars. 3Ready Automotive , the highly capable video entertainment platform that brings super-aggregated content into vehicles, now boasts integrated support of Dolby Atmos immersive sound technology. “3SS and its enabling entertainment platform 3Ready are well-known and trusted within the pay-TV space, and we're delighted to collaborate to jointly help automotive OEMs realize their vision of providing best-in-class entertainment experiences in cars with Dolby Atmos,” said Andreas Ehret, Sr. Director Automotive at Dolby. Simultaneous to the announcement of the 3SS-Dolby partnership, German video on demand service maxdome has become the new...

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